Question: How far are we from the day where anime can be critically analyzed the way we analyze books, plays, or poetry? I believe there’s as much plot
Question: In the recent ICv2 interview with John Ledford, he mentioned that the titles they will be focusing on are the big hits and what he called “super-niche”.
Question: Why do the companies that lisence anime feel the need to change dialogue? Whilst not really noticable in the dub, when watching anime subbed, it can be
Question: Why are almost all anime trailers just the show opening? What more can people (especially people new to anime) get besides a showcase of the animation?
Question: What do you think of Funimation’s recent decision to only release Red Garden, Welcome to the NHK, and Pumpkin Scissors as two half-season sets only, even though
Question: Hello from Japan. I know in most cases American distributors acquire anime titles primarily aimed at Japanese domestic consumers, and I was wondering if they attempt to
Question: Is there a particular reason behind the strong and dominating female characters in anime? Series such as World Destruction, Black Lagoon, Tetsuwan Birdy Decode, Seirei no Moribito,
Question: I have seen many anime shows where characters are celebrating many different occasions including Christmas, New Years, Valentine’s Day, Obon festival, and Golden Week. I noticed that
Question: I know of some people who don’t care about the decline in domestically-released anime because “they can get it for free anyway.” I want to say that
