Ask John: Why Do Americans Resent Fan Service?

Question:
Why does the anime community show such contempt and/or resentment for anime aimed at guys?(I’m not just referring to ero anime, either.) I can’t help but notice that every male oriented anime release comes under heavy attack.


Answer:
I’m going to presume that the description “anime aimed at guys” refers to fan service heavy or possibly moé anime targeted at young adult male otaku, not shonen anime targeted at 10 year old boys. In the English speaking fan community, shonen anime like Naruto and Dragon Ball are sometimes criticized for being formulaic, overexposed, or entry level anime. However, there’s too much adoration for shonen anime for them to fit the description provided by the question. Exploitive, fan service heavy shows like Queen’s Blade, Akikan, Kanokon, Strike Witches, Koihime Muso, Princess Lover, and Sora no Otoshimono are typically the type of “guy” anime that’s most vehemently opposed by segments of the English speaking fan community. And, in fact, while not obvious, the reasons for this resentment are actually quite similar to the reasons why shonen anime is sometimes castigated. Objectively, the existence of exploitive anime isn’t the problem. The problem is the fact that exploitive anime contradicts the idealized image of anime that countless American fans cherish.

A major contributing reason for the popularity of anime among American viewers is its distinction from traditional American animation. The anime tendency to deal with character psychology, linear narratives, evolving character relationships, and real world circumstances and situations is typically quite different from mainstream American animation that avoids depicting complex psychology, abstract concepts, and adult concerns. Furthermore, anime typically utilizes an artistic visual design that appears more detailed, refined, and realistic than the visual design of typical American animation. As a result, American anime fans have an unconscious tendency to elevate anime – not to the status of legitimate art, but at least to a level equivalent to mainstream American live action programming. American anime fans want to respect anime and want to be respected for liking anime. The existence of exploitive, sexist anime compromises the perceived respectability of anime as a legitimate, adult medium. American anime fans can’t feel secure about praising the dignity, respectability, and artistic value of anime when mainstream shows like Queen’s Blade and Strike Witches are filled with giant naked breasts, gratuitous sexuality, and adolescent girls flashing their panties.

If all anime was like Death Note, Ristorante Paradiso, Aoi Hana, Paprika, and Studio Ghibli works, American anime fans could proudly exclaim their affection for and affiliation to the genre. There’d be no reason to be embarrassed about watching cartoons if all of the cartoons were mature, artistic, and dignified. But that’s not what anime really is. The aforementioned examples demonstrate that some anime is very dignified and respectable. But the purpose of anime is to be entertaining, thus there’s an equal amount of anime that’s shallow, lowbrow, gratuitous, and exploitive. And there are shows like Strike Witches and Kanamemo which manage to be intelligent and dramatic while still including plenty of fan service.

The American fan community’s resentment of fan service heavy anime is inevitable because exploitive anime contradict the ingrained American sensibility of what animation should and should not depict, and undermine the American fan community’s cherished, self-preservationist idealization of what anime should be rather than what anime is. Japan’s otaku community understands and accepts the diverse nature of anime, thus there’s little opposition to the prevalence of exploitive anime from Japan’s fan community. America’s fan community opposes exploitive – particularly sexually gratuitous – anime because this type of anime undermines the American fans’ self respect. American fans don’t like to admit to watching cartoons. Casually watching a few is acceptable and normal, but being obsessed with cartoons is weird and childish. If all anime was intellectual and artistic, American fans could cite justified reason for their fascination. It’s not weird or childish to watch intelligent, artistic animation. But the existence of philistine anime pokes holes in the veil of respectability.

I’m sure that some of the American resentment of vulgar anime is rooted in genuine moral objection. I think that more of it, however, is rooted in a pervasive subconscious American misperception of anime. Americans want anime to be respectable and praiseworthy in accordance with American moral and social standards. But anime isn’t American and doesn’t care about consistently living up to inflated, idealized American standards. So American anime fans express their frustration over that discrepancy by attacking the most obvious offenders – the anime that are impertinently indecorous. The American fans that like these shows accept them as they are and don’t feel no personal embarrassment over enjoying gratuitously ignoble cartoons. The American fans that typically resent and criticize these shows are the fans offended by the fact that profane, uncouth productions corrupt the purity of their idealization of anime, and compromise their personal self-image as people that don’t watch “cartoons” but do watch mature animation.

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