Ask John: Is M.D. Geist Really the Worst Anime Ever?

Question:
MD Geist is an anime film that has a lot of people divided. Some people think it’s pretty awesome while others insist that it’s a total crapfest. What’s your personal opinion about the movie? And why do you think the fans are so divided?


Answer:
Having not watched the 1986 Sokihei M.D. Geist OVA in more than ten years, I rewatched it to refresh my recollection for this discussion. Specifically, I watched the original 1986 edit, not the 1996, extended “director’s cut” that inserts five minutes of new animation. The OVA is well known among American otaku because of its reputation as one of the very worst anime ever. In reality, it’s actually not really that bad. While not good, there are certainly many anime that are worse. M.D. Geist’s reputation has as much to do with surrounding circumstances as with the anime itself.

The story of a bioenginered super soldier eager to get back into action has a number of technical weaknesses. There are evident animation flaws and a few shots seem to be missing. The climactic battle is frequently incomprehensible due to choppy editing and choreography. The narrative is full of holes. The motorcycle gang Geist leads literally vanishes from the story without explanation half way through the narrative. No explanation is provided for the activity or fate of the other “Most Dangerous” soldiers besides Geist. How Geist escaped from his imprisonment is never explained. Why the “Death Force” doomsday countdown launched when the president died is never explained. However, considered in context, M.D. Geist is quite representative of its era – the “golden era.”

Golden age anime are often typified by the inclusion of gratuitous nudity, gore, highly detailed artwork, and stories that prioritized impression over internal logic. M.D. Geist adheres to every one of those characteristics. M.D. Geist is partially criticized for being little more than gratuitous exploition, but in fact even many of the most highly regarded anime of its time also included unnecessary nudity and gore, such as Megazone 23 parts 1 and 2, and the Macross movie. If M.D. Geist hadn’t been thrust into the spotlight by its American distribution, it would probably be just as obscure now as numerous other similar and comparable contemporary sci-fi action OVAs like Hell Target, Ladius, Dragon’s Heaven, Hagane no Oni, Ohayo Althea, and Legaciam. Actually, even with it’s numerous flaws and weaknesses, the M.D. Geist OVA is still technically equal or better than several other anime distributed in America at the same time, including Crystal Triangle, Dog Soldier, Roots Search, Lily C.A.T., Harmegedon, and Mad Bull 34. The difference is relative profile.

Central Park Media, the original American distributor for the OVA, made the M.D. Geist character the logo for its prominent U.S. Manga Corps label. CPM sponsored the production of the 1996 Director’s Cut, the 1996 M.D. Geist 2: Death Force OVA, and an American comic book adaptation. In effect, CPM unwisely placed M.D. Geist on an elevated pedastal, inviting justified criticism. Even though contemporary American releases like Dog Soldier and Roots Search, and Japanese releases like Riki-Oh 2 are much worse, they were smaller, easily overlooked targets while M.D. Geist was the masthead of America’s foremost anime distributor at the time.

Time has been ironically kind to M.D. Geist. It’s reviled reputation has somewhat diminished into obscurity and nostalgia. American fans now appreciate its theme song performed by fan favorite vocalist Hironobu Kageyama. And in the contemporary anime era of timid, indecisive harem anime protagonists and conflicted high school boys, a cult of fans have grown fond of Geist’s macho, aggressive, masculine persona. The M.D. Geist OVA isn’t the best example of golden era anime, but it does serve as a reminder of an era when hand drawn anime was characterized by exceptionally detailed mechanical designs, intricately drawn explosions and collateral damage, and the attitude that anime didn’t have to make sense as long as it was exciting and visually dynamic. It may sound cliché to say that M.D. Geist isn’t anywhere near the worst anime ever; it’s not even among the very worst anime ever released in America. But it’s also true. M.D. Geist is certainly not good, and there are many contemporary anime that are worse. But M.D. Geist invited, and was made to invite criticism like no other contemporary title.

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