Ask John: Does Kiss x Sis Deserve the Kiss of Death?

Kiss x Sis

Question:
Anime News Network’s comments on the “Kissxsis” anime have been extremely negative. “For use only as a visual emetic.” “This is so deplorable that I wish we lived in a world where this filth had no reason to exist. The fact that it has enough of an audience to be produced and aired rather than sliming its way to DVD in OVA form (although I understand there are OVAs) gives new and upsetting insight to the low opinion the Japanese have of otaku.” “Who is this garbage for?! …Is this utterly tasteless, completely unsettling and, like, undeniably, absolutely stupefyingly creepy, skeevy garbage seriously what the hardcore otaku audience wants?” “Kissxsis is trash.”

You don’t have to generalize and vilify the Japanese anime industry and its audience to express a personal dislike for a certain anime’s subject matter. It takes a certain kind of “anime fan” to choose to do that; to essentially argue the prosecution’s case against Chris Handley for his sick perverted interest in cartoon trash. I don’t see how the ANN comments above help our hobby much, no matter how bad any particular anime might be.


Answer:
Of the 35 new anime series that have so far premiered during the 2010 spring Japanese TV season, I’ve sampled 31 of them, including the Kiss x Sis TV series. I’ve also watched the three previous Kiss x Sis OADs. I have neither reason nor desire to launch personal attacks at ANN reviewers, so I’ll try to be civil while still expressing my own perspective. I understand objections to the Kiss x Sis anime, and I don’t believe that sharing negative impressions is innately harmful, inappropriate, or unuseful. However, I do think that the vehemence of objection to this particular series may be somewhat inappropriate and excessive.

I’m not going to soundly defend the Kiss x Sis anime. It’s exploitive and crude, but objectively speaking, its production values meet industry average. Its characterizations are a bit bland, and, so far, its story development very limited. However, I find the show difficult to vilify as the repulsive, unredeeming, corrosive filth that it’s described as being. Sexually provocative and tasteless humor has been steadily growing more bold within anime for decades, from 1980’s productions like Junk Boy and Pants no Ana, to 90s titles including 1+2=Paradise, Golden Boy, Yoiko, and Inachu Ping-Pong Club, to contemporary shows like Kanokon and Fight Ippatsu! Jyuden-chan. Kiss x Sis has made an effort to push the envelope, which will inevitably cause controversy. It’s always been mainstream shows like Cutey Honey, St. Seiya, Evangelion, and even Ikkitousen, rather than the esoteric, artistic, and little seen titles that contribute most to the evolution of anime. I respect the individual perception that Kiss x Sis is an offensive program, but I call hypocrisy against the insistence that anime push the envelope of “respectable” artistic and intelligent content while not doing the same for lowbrow content.

The creative vibrancy of anime is attributable to is diversity and eagerness to challenge convention. The very reason anime is so popular worldwide is because it’s so different from what international viewers expect. If anime wasn’t provocative, the entire anime industry and its creative output wouldn’t be nearly as intriguing as it is. Personally, I think that it’s a bit narrow minded and self-centered to insist that anime continue to evolve and become more daring, creative, and expressive, but only in ways and only in genres that foreigners approve of. Whether positive or negative, reviews of anime not widely, legally accessible to American viewers are informative and useful. However, I think it’s imperialistic for foreigners to assert that they know what’s better for Japanese viewers and Japan’s anime industry than Japanese themselves. Kiss x Sis is, after all, only one of 37 new anime TV series premiering this season. So before it’s blamed with the corruption of the previously cultivated, artistic, enlightened purity of anime, its actual impact and context ought to be fairly positioned.

Considering the anime produced so far, Kiss x Sis isn’t brilliant, artistic, or intelligent, nor does it appear to have such aspirations. It’s a pandering, tasteless work of exploitation from a country whose film industry has been steadily producing sexually gratuitous exploitation films for fourty years. It’s a new anime production in a field that consciously tries to create provocative animated programs. It’s a gratuitous wish fulfillment fantasy targeted at adult viewers who are rational enough to understand and appreciate that it’s intentionally indelicate and bawdy. The show is not for everyone. That’s why there are 36 other new television anime series available this month. I’m not going to continue watching the Kiss x Sis TV series, but I don’t begrudge its existence. On the contrary, I’m glad that shows like this, which defy convention and indeed push the boundary of good taste, exist. It’s shows like this that remind me that anime is a bold and daring art form willing to extend itself in directions apart from just the anticipated and respectable avenues of sophistication and aesthetic.

The venomous criticism of Kiss x Sis, no doubt, is partially motivated by genuine moral objection. But I suspect that it’s also motivated by unconscious resentment and embarrassment. It’s easier to criticize and attack a production like Kiss x Sis than defend it. And admitting to liking it is tantamount to admitting an absence of good taste, at best, and deviant proclivities at worst. It’s a bit embarrassing when an Insane Clown Posse album slips into a collection of Mozart and Bach. Even if there by accident, the mere proximity of the former casts doubt on the solidarity of the later. It takes a strong man to admit that he watches ballet. It takes a very objective critic to accept the bad with the good. Or, in my case, it just takes an especially receptive and liberal critic to be able to praise both Kiss x Sis and shows like Sarai Goyou and Yojouhan Shinwa Taikei. Objections to Kiss x Sis are certainly partially motivated by genuine moral outrage. Objections are also motivated by considerate anxiety. No one that loves anime wants to see it driven into extinction because of poor decisions and poor productions. Sounding the warning alert clearly and early is an act of consideration. The only question which I won’t attempt to answer is whether that warning alert is actually justified and necessary at this point in time.

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