{"id":458,"date":"2002-03-14T10:00:00","date_gmt":"2002-03-14T14:00:00","guid":{"rendered":"https:\/\/www.animenation.net\/blog\/2002\/03\/14\/ask-john-why-hasnt-memories-been-released-in-america\/"},"modified":"2002-03-14T10:00:00","modified_gmt":"2002-03-14T14:00:00","slug":"ask-john-why-hasnt-memories-been-released-in-america","status":"publish","type":"post","link":"https:\/\/www.animenation.net\/blog\/ask-john-why-hasnt-memories-been-released-in-america\/","title":{"rendered":"Ask John: Why Hasn&#8217;t Memories Been Released in America?"},"content":{"rendered":"<p><strong>Question:<\/strong><br \/>\nI was wondering, what is the barrier blocking the licensing of Memories?  Being done by the same director as the ever-popular Akira, you would think that it would sell great here in the US, but I haven&#8217;t even heard rumors about a US distribution license.  Who&#8217;s holding up the parade?<\/p>\n<p><!--more--><strong>Answer:<\/strong><br \/>\nThere are two major reasons why Katsuhiro Otomo&#8217;s Memories has never been released in America.  First, according to highly probable rumor, the film carries a very high licensing fee.  Because Otomo is such a well recognized name, any film project he&#8217;s attached to is virtually guaranteed a degree of success and sales based on name recognition alone.  This &#8220;big name&#8221; recognition value is accounted for within the expensive licensing fee Sony is rumored to want for international distribution rights to the film. A second obstacle to an American release, in addition to the movie&#8217;s expensive distribution license, is the film&#8217;s very limited market potential in America.<\/p>\n<p>Memories is an anthology film consisting of three unique short animated segments. Many fans are familiar with the Magnetic Rose segment of the film which involves virtually photo-realistic art and a science-fiction story about unlikely explorers encountering the &#8220;ghost&#8221; of a long dead opera singer on an abandoned space station. The second segment, the comical &#8220;Stink Bomb&#8221; is a satire of the Japanese &#8220;salaryman&#8221;- the Japanese businessman that concentrates all of his attention on his work, ignorant of obviously more important external factors. While the segment does carry a satirical message, it&#8217;s still little more than a disposable extended one-line joke. The third segment, &#8220;Cannon Fodder,&#8221; the only segment of the film actually directed by Otomo himself, is a work of experimental animation and broad social commentary, and arguable the least successful third of the film.<\/p>\n<p>The anthology nature of the film and its presentation as a clearly non-mainstream &#8220;art film&#8221; makes Memories suitable only for a relatively small audience of hard-core animation and cinema fans, and not very attractive to mainstream consumption. Expensive licensing fees coupled with highly limited return potential simply makes licensing Memories for American release a very unwise business decision.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Question: I was wondering, what is the barrier blocking the licensing of Memories? Being done by the same director as the ever-popular Akira, you would think that it would sell great here in the US, but I haven&#8217;t even heard rumors about a US distribution license. Who&#8217;s holding up the parade?<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-458","post","type-post","status-publish","format-standard","hentry","category-ask-john"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts\/458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/comments?post=458"}],"version-history":[{"count":0,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts\/458\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/media?parent=458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/categories?post=458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/tags?post=458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}