{"id":27440,"date":"2011-12-30T12:34:53","date_gmt":"2011-12-30T16:34:53","guid":{"rendered":"https:\/\/www.animenation.net\/blog\/?p=27440"},"modified":"2011-12-30T12:34:53","modified_gmt":"2011-12-30T16:34:53","slug":"ask-john-what-were-the-best-tv-anime-of-2011","status":"publish","type":"post","link":"https:\/\/www.animenation.net\/blog\/ask-john-what-were-the-best-tv-anime-of-2011\/","title":{"rendered":"Ask John: What Were the Best TV Anime of 2011?"},"content":{"rendered":"

Question:<\/strong>
\nWhat have been John’s best and worst anime picks for 2011, and what is he most looking forward to watching in 2012?<\/p>\n


\nAnswer:<\/strong>
\nGiven that there are two questions presented, and answering the first alone is substantial, I’ll address the later question separately early next year.<\/p>\n

As per my habit, not for recognition or praise, I try to sample as much of each year’s new TV anime as I can just to educate myself about the current state of the anime industry and learn first-hand what new anime are actually like. By my rough count, 2011 saw the premieres of 147 unique television and web anime series and specials. I’m consciously excluding Ad Lib Anime Kenkyu because I classify it a live-action program rather than an anime. I’m also excluding Inumarudashi because I can’t confirm whether it actually did have a TV anime series. Titles including Honto ni Ata! Reibai-sensei and Genki!! Ekoda-chan are segments of Yuruani?, not separate, self-contained shows. So among those 147 titles, I’ve been fortunate to have watched a full episode of 139 of them. I’m aware that sampling one episode doesn’t create a comprehensive appreciation of a complete series, but in many cases sampling one episode is sufficient to provide a functional impression of a show. So I can’t authoratatively and comprehensively critique the entire year’s total of new anime, but I can express my personal perspective on this year’s TV anime. I base my selections on objective cinematic quality, not necessarily popularity. Rather than limit my selections to some arbitrary number, I’ll nominate the shows I believe deserve mention. With so many new anime this year, a slightly larger number of top-shelf titles seems appropriate.<\/p>\n

\"\"<\/a>
\nPuella Magi Madoka Magica appeared almost out of nowhere and literally took anime by storm, shocking viewers out of complacency, enthralling with equal measure of fascination and horror. Director Akiyuki Shinbo’s distinctive visual design has been evident in anime since the early 1990s, but in Madoka Magica it was not only rendered skillfully, it was complimented by the effective contrast of Ume Aoki’s character designs. Gen Urobuchi’s script revolutionized the magical girl genre by simply extending the genre’s tropes to their terrifying logical conclusion, simply going where no other anime had ever dared to go before. The stellar complexity and depth of visual design which included even actual narratively relevant runes and foreign scripts in the backgrounds, combined with an emotionally devestating narrative positioned Madoka Magica as a masterpiece that went far above and beyond the everyday expectations of conventional anime. This is a show which will resonate and serve as a landmark in anime history for years and decades to come.<\/p>\n

\"\"<\/a>
\nVery closely rivaling the emotional and narrative impact of Madoka Magica is the stylistically opposite Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai. This tender slice-of-life drama about teens forced to confront their own feelings of lonliness and guilt surrounding the accidental death of a close friend is a heartrending yet hopeful story about love and redemption. Although the characters are probably nothing like people we know, every one of them feels entirely real. The honesty with which they face themselves and their relationships with each other is incisively painful but absolutely necessary and ultimately cathartic and healing. AnoHana is a beautiful show, both visually and narratively, that dives deep into the churning dark pits of emotional suffering in order to emerge whole and stronger. While the story and character development revolve around the show’s fictional characters, the journey takes viewers along on an equally tumultuous, ultimately rewarding emotional venture.<\/p>\n

\"\"<\/a>
\nThe Usagi Drop slice-of-life series serves as a reminder that anime doesn’t need fan service, fantastical settings, complex and convoluted narratives, and spectacular action to be satisfying. Usagi Drop is a very simple story illustrated with great charm and humanity. The characters all feel real and believable. There are no villains or even antagonists, just everyday people facing the humors and difficulties of routine life. This quiet show reminds viewers of the simple pleasures of life: the fun of taking a walk, of kind conversation, the warmth of family, the wonder of discovery, and the innocence of childhood belief. The anime’s soft, gentle animation, art design, and color setting invite viewers in and suggest a reassuring world where every difficulty can be overcome with love and human compassion.<\/p>\n

\"\"<\/a>
\nSometimes, as shows like Seirei no Moribito, Ghost in the Shell: Stand Alone Complex, and Macross Frontier have done in the past, an anime rises to the top simply by virtue of its exceptional production. This year’s Fate\/zero may be just a bit too convoluted, resulting in it seeming to contradict some of the narrative points it’s trying to establish. However, the show’s rich atmosphere and lush animation cannot go unrecognized. Fate\/zero practically embarasses other TV anime with its feature film caliber art design, fluid animation, and elaborate choreography. Sequences like Lancer & Saber’s extended battle are more dynamically animated in this TV series than even action sequences in typical big budget movies. Fate\/zero is not without its flaws, including hideous looking character design in episode 11 and an overbearing pretentiousness, especially in the first episode. But like an 800 pound gorilla in the room, the series just can’t be overlooked.<\/p>\n

\"\"<\/a>
\nMawaru Penguindrum is dense, convoluted, highly symbolic, and, honestly, a task to watch. However, it’s a rare anime which can be so challenging to watch because it demands so much intellectual and interpretative attention from the viewer. Penguindrum bursts with creativity and originality. In a modern era characterized by otaku longing for shows that don’t pander or rely on tired tropes and popular themes, Mawaru Penguindrum delivers exactly what otaku want, to such an extent that it’s over plentiful. Mawaru Penguindrum isn’t an easy show to watch; it’s even more difficult to comprehend. However, the very existance of such a dynamic, visually stunning, complex and dense literary narrative in animation form is reason for respect and applause. Penguindrum is absolutely not a show for everyone. In fact, even many of its supporters will concede that the show is difficult and convoluted viewing. But a show that succeeds in being so stylistically beautiful and narratively complex without being cliche or pretentious is special and rare.<\/p>\n

\"\"<\/a>
\nStudio P.A. Works commemorated its tenth anniversary effectively with the original bishoujo coming-of-age drama Hanasaku Iroha. Despite a harsh first episode and some arguable narrative missteps in the early episodes, Hanasaku Iroha was a consistently attractive looking show that quickly developed into an engaging character-centric drama with plenty of passion and heart. The dynamic and diverse cast play off each other well, and the narrative does a fine job of allowing the characters to gradually reveal themselves. As characters become more familiar with each other, and viewers spend more time with the characters, the characters drop their guard and reveal their true personalities that are filled with unique quirks and foibles. The characters also genuinely mature and evolve, changing their perspectives in accordance with their growing understanding of the people around them and their own increasing recognition of their own perspectives and personalities.<\/p>\n

\"\"<\/a>
\nFinally, I’d like to mention [C] THE MONEY OF SOUL AND POSSIBILITY CONTROL just for its daring to be unique. [C] may be criticized for merely shifting the tropes of Digimon into an adult setting, but the audacity to merge concepts reminiscent of Digimon with ethical philosophical debate on the responsibility of the wealthy, the degree to which external influence affects individual people’s lives, and the moral obligation to obey a personal moral code versus an order prescribed by authority make the show a fascinating example of the dynamic creativity that anime is capable of.<\/p>\n

Particular titles from this year including Hourou Musuko, Hyoge Mono, and Level E garnered critical praise while Tiger & Bunny earned acclaim and tremendous popularity, but I think that in each of these cases, the shows I’ve nominated as best of the year are more deserving of the recognition because they’re more creative or more affecting.<\/p>\n

Unlike some years from past memory, including 2006 & 2008 particularly, 2011 didn’t deliver any disasterous anime. Instead, this year was heavily dominated by very mediocre TV anime including C³, Dantalian no Shoka, Infinite Stratos, Kyokai Senjo no Horizon, Dragon Crisis!, Freezing, Sengoku Otome, Itsuka Tenma to Kuro Usagi, Kamisama Dolls, R-15, and Maken-ki, to name just a few. The year’s biggest disappointments were three shows which should have been much better than they actually were. Fireball Charming dramatically improved the first series’ animation but almost entirely lost the first series’ satirical, absurdist wit. After a string of good and excellent anime including Nijuu Menso no Musume, Fullmetal Alchemist: Brotherhood, Darker than Black: Ryusei no Gemini, Star Driver, and Gosick, studio BONES produced the back-to-back disappointments No.6 and Un-Go. No.6 began well but unraveled into a narrative mess filled with irelevant characters, under-developed narrative threads, and blatant homoeroticism bluntly inserted to rally fujoshi interest. Un-Go touted a celebrity staff but ended up a half-baked hybrid of supernatural horror, detective mystery, and political criticism that felt like half of its story and most of its character development was missing.<\/p>\n

Here’s my complete list of 2011’s TV and web anime. The 8 titles in italics are the ones which I haven’t watched any of yet.<\/p>\n

+tic Neesan [web anime]
\n30-sai no Hoken Taiiku
\nA-Channel
\nAno Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai
\nAo no Exorcist
\nAstalotte no Omocha
\nBaka to Test to Shokanjyu ni!
\nBakuman (second season)
\nBattle Spirits Heroes
\nBeelzebub
\nBen-To
\nBLADE
\nBLOOD-C
\nBoku wa Tomodachi ga Sukunai
\nBuso Chugakusei Basket Army [web anime]
\nBuso Shinki Moon Angel [web anime]
\n[C] THE MONEY OF SOUL AND POSSIBILITY CONTROL
\nC3 -C Cube-
\nCard Fight! Vanguard
\nChi-Sui Maru 2nd Season
\nChibi Devi
\nChihayafuru
\nCopihan [web anime]
\nCross Fight B-Daman
\nDanboru Senki
\nDantalian no Shoka
\nDeadman Wonderland
\nDenpa Onna to Seishun Otoko
\nDD Hokuto no Ken
\nDigimon Xros Wars: Toki wo Kakeru Shounen Hunter-tachi
\nDog Days
\nDororon Enma-kun Meramera
\nDragon Crisis!
\nDuel Masters Victory
\nFate\/Zero
\nFireball Charming
\nFractale
\nFreezing
\nFujilog
\nGanbare! Natto-san<\/i>
\ngdgd Fairies
\nGintama’
\nGOSICK
\nGuilty Crown
\nGyakkyo Burai Kaiji: Hakairoku-hen
\nHanasaku Iroha
\nHappy Kappy
\nHello Mainichi Kaasan<\/i>
\nHen Zemi
\nHidamari Sketch x SP
\nHidan no Aria
\nHigh Score
\nHoshizora e Kakaru Hashi
\nHoukago no Pleadies [web anime]
\nHourou Musuko
\nHUNTER\u00d7HUNTER
\nHyoge Mono
\nTHE IDOLM@STER
\nIkoku Meiro no Croisée
\nIS
\nItsuka Tenma no Kuro Usagi
\nJewelpet Sunshine
\nKaitou Tenshi Twin Angel ~Kyun Kyun Tokimeki Paradise~
\nKami Nomi zo Shiru Sekai II
\nKamisama Dolls
\nKamisama no Memo-cho
\nKampfer fur die Liebe
\nKayochu
\nKido Senshi Gundam AGE
\nKimezo no Kimarimonku Ja Kimaranee. Featuring Sabu-Otoko
\nKimi ni Todoke 2nd Season
\nKimi to Boku
\nKono Danshi Uchuujin to Tatakaemasu [TV special]
\nKore wa Zombie Desu ka?
\nKyokai Senjo no Horizon
\nKyousogiga [web anime]
\nLast Exile: Ginyoku no Fam
\nLevel E
\nLupin III: Chi no Kokuin Eien no Mermaid [TV special]
\nMai no Maho to Katei no Hi [web anime]
\nMaji de Watashi ni Koishinasai!
\nMaken-ki!
\nManyu Hikencho
\nMariaholic Alive
\nMashiroiro Symphony
\nMawaru Penguindrum
\nMayochiki!
\nMetal Fight Beyblade 4D
\nMirai Nikki
\nMitsudomoe Zouryouchuu
\nMonHun Nikki Girigiri Airu-mura G
\nMorita-san wa Mukuchi
\nMoshi Koko Yakyu no Joshi Manager ga Drucker no Management o Yondara
\nNatsume Yujincho San
\nNekogami Yaoyorozu
\nNichijou
\nNihon Omoshiro Mukashi Banashi
\nNO.6
\nNurarihyon no Mago: Sennen Makyo
\nNyanpire the Animation
\nOniichan no Koto Nanka Zenzen Suki ja Nai n da kara ne
\nOretachi ni Tsubasa wa Nai
\nOtona Joshi no Anime Time
\nPaperman Battle 1<\/i> [web anime]
\nPeeping Life -The Perfect Extension-<\/i>
\npersona4 the ANIMATION
\nPhi-Brain Kami no Puzzle
\nPretty Rhythm Aroura Dream
\nPuella Magi Madoka Magica
\nR-15
\nRing ni Kakero 1: Sekai Taikai Hen
\nRio RainbowGate!
\nRo-Kyu-Bu!
\nSacred Seven
\nSeikon no Qwaser II
\nSekaiichi Hatsukoi
\nSekaiichi Hatsukoi 2
\nSengoku Otome ~ Momoiro Paradox
\nSengoku Paradise -Kiwami-
\nShakugan no Shana III -Final-
\nShiawase Haitatsu Taneko<\/i>
\nShinryaku!? Ika Musume
\nShowa Monogatari
\nSKET DANCE
\nSockies Frontier Quest<\/i>
\nSofteni
\nSTEINS;GATE
\nSuite Precure
\nSuzy’s Zoo Daisuki! Witzy
\nTamayura ~hitotose~
\nTantei Opera Milky Holmes Tokubetsuhen<\/i>
\nTennis no Oujisama: Best Match<\/i>
\nTIGER & BUNNY
\nTonno to Issho Gantai no Yabou
\nTorico
\nTottoko Hamutaro Dechu
\nUN-GO
\nUsagi Drop
\nUta no Prince-sama ~ Maji LOVE 1000%
\nWolverine
\nWORKING’!!
\nX-Men
\nYondemasuyo Azazel-san
\nYugioh Zexal
\nYumekui Merry
\nYuruani?
\nYuruyuri<\/p>\n","protected":false},"excerpt":{"rendered":"

Question: What have been John’s best and worst anime picks for 2011, and what is he most looking forward to watching in 2012?<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-27440","post","type-post","status-publish","format-standard","hentry","category-ask-john"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts\/27440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/comments?post=27440"}],"version-history":[{"count":3,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts\/27440\/revisions"}],"predecessor-version":[{"id":27449,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/posts\/27440\/revisions\/27449"}],"wp:attachment":[{"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/media?parent=27440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/categories?post=27440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.animenation.net\/blog\/wp-json\/wp\/v2\/tags?post=27440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}