I decided to make Thursday a relatively light activity, or rather light shopping day. Per the schedule I’ve adopted so far, I woke early and spent the morning typing up a record of the previous day’s activity to post online. Then Jon & I decided that we’d attempt to locate Campus Musashino and possibly the Evangelion Store and Square Enix Store.
Archive for the ‘Culture’ Category
Following a calm and slow morning, I invited Jon to visit Akihabara with me. Our first stop was the Starbucks in the Yotsuya station’s Atre shopping center to try out my confirmed free Starbucks wifi account. For reasons unknown, the Starbucks mobile site repeated rejected every variation of my log-in as incorrect. So still no mobile wifi. I’m never ever going to purchase an Apple product for myself.
The fact that I’m on vacation in Tokyo attests to my enthusiasm for things Japanese, but after numerous trips during a span of nearly 15 years, I don’t have quite the same irrepressible excitement nor the same physical conditioning that I once did. Since I have plenty of time and limited money, I decided to take a day off from my vacation. While the day turned out to be largely stress-free on my physical condition, the day, sadly, taxed my mental fortitude far more than I’d anticipated it would.
The weather forecast predicted at 90% chance of heavy rain, so the covered and indoor mall Nakano Broadway suggested itself as a more practical destination for the day than Akihabara, as visiting Akiba on a rainy day would entail the trouble of placing our wet umbrellas in new plastic sleeves each time we entered a new building or shop. I strapped on my backpack, which I hadn’t used extensively the day prior but was certain that I’d use today, and walked to the train station with Jon. Nakano is a mere two stops away from Yotsuya via the Chuo express train, one stop prior to Mitaka, home of the Ghibli Museum. Since neither of us had been to Nakano Broadway in years, we didn’t remember if we should take the north or south exit. I suspected north and turned out correct.
Monday morning I woke at 8am, eager to tackle Tokyo but undecided on approach. The first adventure of the morning that faced me was navigating Jon’s apartment’s toiletries. Unlike a Western household or even the typical Western-style hotels that dot Tokyo, Jon’s Japanese apartment housed a narrow room with a bidet toilet, and nothing else, and a separate room with a small sink beside a fiberglass box that served as bathtub and shower. Adjusting the faucet on the sink in one direction began a flow of water into the sink. Adjustment in the opposite direction began water flow to the hand shower.
My first visit to Tokyo since August 2007 began with my arrival at the Tampa International Airport at 6:30am on Saturday, June 21st. Passing through the security check took relatively little time, for me at least. I noticed beside me a mother with two young children who put their plastic bottles of water through the X-ray scanner and got scolded by the transit authority agent who vehement informed them of the “no liquid in plastic bottles” rule since the family had obviously overlooked or ignored all of the posted signs and the collection barrels for plastic beverage bottles on the way up to the X-ray stations. So I soon found myself at my gate, hearing the sounds of The Ben Folds Five over the intercom and facing a 90 minute wait until my JetBlue flight to New York’s JFK airport boarded and departed.
76 year-old legendary Japanese new wave director Koji Wakamatsu passed away on Wedensday, October 17, after being hit by a Taxi last Friday. Just two weeks ago Wakamatsu was named Asian Filmmaker of the Year at the Busan Film Festival in South Korea. His latest film, The Millennial Rapture, premiered at the Venice International Film Festival last month. Wakamatsu began his filmmaking career with acclaimed, provocative pinku films including Go Go Second Time Virgin (1969) and Ecstasy of the Angels (1972). In more recent years Wakamatsu turned to making eclectic, critically acclaimed dramatic films. The director helmed over 100 films during his career.
Japan’s House of Councillors formally approved a new copyright enforcement law on Wednesday that includes provisions criminalizing any circumvention of digital copy protection and adding penalties of up to two-years of imprisonment and two million yen in fines for knowingly downloading copyrighted material without authorization. The law will go into effect on October 1.
This new law criminalizes “ripping” personal copies of commercial DVDs and Blu-rays with copy protection, and outlaws the Japanese possession of “region free” DVD and Blu-ray players and software that bypasses media copy protection and region restrictions.
Source: Anime News Network
Former X Japan and Loudness bass player Taiji Sawada passed away at age 45 on Saturday, July 17. Reportedly, Taiji was involved in an “incident” involving a female passenger and a female flight attendant during an air flight from Japan to Saipan. Taiji was arrested upon arriving in Saipan. After several days in jail, Taiji attempted to commit suicide on the evening of July 15. After being pronounced brain-dead at the Commonwealth Health Center, his family requested that he be removed from life-support.
If, as news seems to suggest, Taiji hanged himself in jail, he would be the second X Japan member to commit suicide by hanging following Hideto “Hide” Matsumoto’s death on May 2, 1998.
Popular Japanese vocalist GACKT makes his English language acting debut in director Guy Moshe’s upcoming action/fantasy film Bunraku. The samurai western starring Gackt, Josh Hartnett, Woody Harrelson, Ron Perlman, and Demi Moore will premiere at the AM2 convention in Los Angeles, California, this weekend.
Our sincere sympathies and best wishes go out to everyone impacted by the tremendous earthquake and subsequent flooding that ravaged Japan several hours ago.
The Wall Street Journal has an interesting article on the prevelance of high-tech bidet toilets in Japan.
X Japan has signed a three-year manufacturing and distribution contract with EMI Music. EMI will distribute “Jade” as the group’s first American single release on March 15. The band is in studio now working on an album now tentatively scheduled for release this summer. “We are thrilled to have the opportunity to work with X Japan. They have cultivated a strong following in the U.S. and we look forward to working with them, helping to reach even more fans,” said EMI Music Services North America Executive Vice President Dominic Pandiscia. X Japan band leader Yoshiki explained, “X Japan’s music is everything from fast, super-heavy rock to ballads with classical piano – all of those elements are what makes X Japan’s music. We don’t play just one kind of music – we want to take people on a journey.”
Half of the songs on the forthcoming album will be culled from the band’s Gold and Platinum Japanese singles; the other half are brand-new songs, and an estimated 95% of the lyrics are being sung in English. “Some of the songs on this new album were originally written with Japanese lyrics,” Yoshiki explained, “So translating them into English has been challenging. For some reason, English needs more words, so I ended up re-writing many of the lyrics but kept the same message.”
The Sankei Sports newspaper reports that three scripts from legendary filmmaker Akira Kurosawa (1910-1998) have recently been rediscovered. All three date from the director’s early career, before he achieved international fame.
The movie script Kanokemaru no Hitobito was discovered at the Shinobu Hashimoto Memorial Hall in Ichikawa, Hyogo, Japan. The script was written by screenwriter and Kurosawa collaborator Shinobu Hashimoto based on an original idea by Kurosawa. The script was planned for a 1951 adaptation starring Toshiro Mifune, but the movie was never shot.
The script for Toho’s collaboratively directed 1946 film Asu wo Tsukuru Hitobito has been rediscovered. Since the film had multiple directors, Kurosawa refused to accept credit for the script during his lifetime.
A script for Kurosawa’s 1942 radio drama Youki na Koujou was discovered in Waseda University’s Tsubochi Memorial Theatre Museum. Kurosawa wrote the play while he was still working as an assistant director.
The néojaponisme blog has published an interesting article examining the diminishing traditional trend of Japanese consumers paying premium prices for “premium” goods and price fixing in the Japanese consumer industry that establishes arbitrary price averages.