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	<title>Comments on: Ask John: How Much Influence do Americans Have in Anime Co-Productions?</title>
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	<link>http://www.animenation.net/blog/2008/05/13/ask-john-how-much-influence-do-americans-have-in-anime-co-productions/</link>
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		<title>By: PockyBox.com</title>
		<link>http://www.animenation.net/blog/2008/05/13/ask-john-how-much-influence-do-americans-have-in-anime-co-productions/comment-page-1/#comment-325</link>
		<dc:creator>PockyBox.com</dc:creator>
		<pubDate>Tue, 13 May 2008 20:06:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.animenation.net/blog/?p=12708#comment-325</guid>
		<description>I&#039;m always nervous when I hear of American companies or even the fan community charting the course of an anime production. I keep thinking back to the Ninja Scroll series, which exploited just about everything that made the movie great, but in the blandest way possible. I can&#039;t help but think the only reason this series exists is because of the popularity of the film in America, since it tanked in Japan.

I also shake my head whenever I hear the original Street Fighter II V opening and endings. Everytime I hear them, I exclaim &quot;We got ripped off!&quot; I&#039;m not sure what Manga was thinking when they chopped off the incredible original music and stapled on the lousy American-produced techno we&#039;re forced to listen to today. I&#039;ve always hated it, even before I knew it was a replacement for something better. All because someone decided Americans didn&#039;t want Japanese music in their Street Fighter cartoon.

But that&#039;s getting into a different topic. My question is this: why can&#039;t American fans be satisfied with what the Japanese creators give us? I personally don&#039;t mind that sequels to series I love aren&#039;t being produced because I wouldn&#039;t want the creator (or corperate suits) to stretch a title further than it was meant to go. I&#039;d rather have one great series than one great series with a putrid one attached to it.</description>
		<content:encoded><![CDATA[<p>I&#8217;m always nervous when I hear of American companies or even the fan community charting the course of an anime production. I keep thinking back to the Ninja Scroll series, which exploited just about everything that made the movie great, but in the blandest way possible. I can&#8217;t help but think the only reason this series exists is because of the popularity of the film in America, since it tanked in Japan.</p>
<p>I also shake my head whenever I hear the original Street Fighter II V opening and endings. Everytime I hear them, I exclaim &#8220;We got ripped off!&#8221; I&#8217;m not sure what Manga was thinking when they chopped off the incredible original music and stapled on the lousy American-produced techno we&#8217;re forced to listen to today. I&#8217;ve always hated it, even before I knew it was a replacement for something better. All because someone decided Americans didn&#8217;t want Japanese music in their Street Fighter cartoon.</p>
<p>But that&#8217;s getting into a different topic. My question is this: why can&#8217;t American fans be satisfied with what the Japanese creators give us? I personally don&#8217;t mind that sequels to series I love aren&#8217;t being produced because I wouldn&#8217;t want the creator (or corperate suits) to stretch a title further than it was meant to go. I&#8217;d rather have one great series than one great series with a putrid one attached to it.</p>
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