Ask John: Is the Industry Satisfied with American Online Viewership?

Question:
While there still isn’t enough anime legally available to the US for my taste, America (and basically the rest of the world) can now watch more anime through legal channels than they ever could. So, is the anime industry happy with people watching the Gonzo shows on YouTube/Crunchyroll, buying anime off of iTunes, and purchasing shows like Xam’d on the PS3?


Answer:
Is the anime industry pleased with the penetration and viewership of anime into non-traditional, authorized distribution methods? On one hand, I think it’s safe to say that the anime industry will never be completely satisfied with the viewership of anime unless every human being on the planet watched nothing but anime. There’s always room for growth and expansion, no matter how successful an industry is.

To be more realistic, the answer to this question depends partially upon a distinction between the American and Japanese industry. FUNimation, for example, I’ve been informed, has been very pleased with the consumer support that distributing anime on iTunes has generated. Similarly, Viz Media has stated publicly that it is pleased with the response it’s seen to online anime distribution, although online distribution hasn’t exceeded expectations.

Gonzo has made significant strides toward international anime distribution via non-traditional outlets including YouTube and Crunchyroll, but many of these advances have had little measurable impact on the American distribution industry. It’s great that Tower of Druaga, Blassreiter, Strike Witches, and Hennako-chan are available online, but since these shows aren’t licensed for American DVD release, none of America’s anime distributors are earning any income from the online distribution of these titles.

Other Japanese anime distributors including Bandai and Toei have made significant moves to distribute anime online and via cellphones and other non-traditional devices in Japan. But these companies have made little or no effort to advance similar distribution overseas.

Domestically, online video and video on demand quite hasn’t blossomed the way the mainstream American home entertainment industry hoped and expected it to. Numerous industry studies and industry analysts agree that average American consumers are willing to support non-traditional commerce for music, but not for video. The American internet infrastructure presently isn’t conducive to supporting efficient, commerical quality online video on demand, and technology to transfer online video to the television set hasn’t become affordable and widespread. So while non-traditional anime distribution in America may be moderately successful among tech-savvy anime fans, its current potential audience is small. So the extent to which the American anime industry can possibly be satisfied by the success of non-traditional anime distribution is limited.

Share
2 Comments

Add a Comment